Queer Utopian Performance at Texas A&M University
MetadataShow full item record
Through a combination of personal interviews and participant-observation in three field sites ? the Tim Miller workshop and performance of October 2010 and the student organizations Cepheid Variable and the GLBT Aggies ? I argue that manifestations of utopian desire and performance circulate within and among marginalized groups on the Texas A&M University campus, undermining the heteronormative and monolithic utopia the university attempts to present. I participated in each night of rehearsal during the Tim Miller workshop, as well as the creation and performance of my own solo autobiographical monologue as a part of the ensemble. My participant-observation in Cepheid Variable and the GLBT Aggies was concurrent, consisting of attendance at both weekly organizational meetings and outside events sponsored by the organizations over two years. I argue that the Tim Miller workshop and performance is best understood by examining the intersection of queer intimacy, utopia, and performance. I argue that processes of connection, sharing, and mutual transformation allowed it to function as an example of queer utopian performance qua performance at Texas A&M. I explore the links between the ?nerd,? ?queer,? and ?family? identities of Cepheid Variable, arguing that the intersection of these identity-markers and the performance practices which reinforce them enable Cepheid Variable to create a utopian space on the Texas A&M campus for those students who do not fit traditional notions of Aggie identity. I explore two Cepheid performance practices: noise-making and storytelling, arguing that they construct, support, and interweave each element of Cepheid identity, allowing the organization to perpetuate and reaffirm its utopian and counterpublic statuses at Texas A&M. I explore what the GLBT Aggies claims to provide in theory, juxtaposed with what it actually accomplishes in practice. I examine a moment of crisis the LGBTQ community at Texas A&M faced in spring 2011. I argue that the utopia the GLBTA promises remains unfulfilled because the marginalization of the LGBTQ community at large leaves diversity within that community unaddressed. I conclude that utopian communities persist if able to adapt, and that the strength of the intimacy built into queer utopias in particular sustains them through time.
Texas A&M University
Sayre, Dana (2012). Queer Utopian Performance at Texas A&M University. Master's thesis, Texas A&M University. Available electronically from
Showing items related by title, author, creator and subject.
Interoperability of Computer Aided Design and Energy Performance Simulation to Improve Building Energy Efficiency and Performance Chaisuparasmikul, P. (Energy Systems Laboratory (http://esl.tamu.edu)Texas A&M University (http://www.tamu.edu), 2006)The paper describes very significant novel interoperability and data modeling technology for existing building that maps a building information parametric model with an energy simulation model, establishing a seamless link ...
Visualization Study Of The Performance Breakdown In The Two-Phase Performance Of An Electrical Submersible Pump Gamboa, Jose; Prado, Mauricio (Turbomachinery Laboratory, Texas A&M University, 2010)Barrios (2007) conducted an experimental work in which was demonstrated that the two-phase stage performance of an electrical submersible pump (ESP) is related to the impeller gas and liquid flow pattern as mentioned by ...
The Utility of the Texas Award for Performance Excellence Criteria as a Framework for Assessing and Improving Performance Excellence in the Texas A&M Foundation: A Case Study Wine, Sherryl Leigh (2012-02-14)In 2007 nonprofits became eligible to apply for the Malcolm Baldrige National Quality Award (MBNQA) and the state-level Baldrige-based Texas Award for Performance Excellence (TAPE). There exists minimal research on quality ...