Bauman's Verbal Art and the Social Organization of Attention: The Role of Reflexivity in the Aesthetics of Performance

dc.creator	Berger, Harris M.
dc.creator	Del Negro, Giovanna P.
dc.date.accessioned	2014-12-14T19:26:09Z
dc.date.available	2014-12-14T19:26:09Z
dc.date.issued	2002-01
dc.identifier.citation	Berger, Harris M. and Giovanna P. Del Negro. 2002. Bauman's Verbal Art and the Social Organization of Attention: The Role of Reflexivity in the Aesthetics of Performance. Journal of American Folklore 115(455):62-91.	en
dc.identifier.issn	0021-8715
dc.identifier.uri	https://hdl.handle.net/1969.1/152360
dc.description.abstract	In Richard Bauman's landmark study Verbal Art as Performance, reflexivity plays a small but important role. Combining ideas from Verbal Art with insights from phenomenology, this article uses the concept of reflexivity to re-examine basic facets of expressive interaction and explores the structure of intersubjectivity in performance. Field data on American heavy metal music and the promenade of central Italy are used to reveal the crucial role that reflexivity plays in the aesthetics of performance.	en
dc.language.iso	en_US
dc.publisher	American Folklore Society/University of Illinois Press
dc.subject	Phenomenology, Performance Theory, Heavy Metal Music, Passeggiata, ritual promenade, Italy	en
dc.title	Bauman's Verbal Art and the Social Organization of Attention: The Role of Reflexivity in the Aesthetics of Performance	en
dc.type	Article	en
local.department	Performance Studies	en
dc.rights.requestable	false	en