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dc.creatorGrimes, Sami Jae
dc.date.accessioned2012-06-07T23:14:12Z
dc.date.available2012-06-07T23:14:12Z
dc.date.created2002
dc.date.issued2002
dc.identifier.urihttps://hdl.handle.net/1969.1/ETD-TAMU-2002-THESIS-G78
dc.descriptionDue to the character of the original source materials and the nature of batch digitization, quality control issues may be present in this document. Please report any quality issues you encounter to digital@library.tamu.edu, referencing the URI of the item.en
dc.descriptionIncludes bibliographical references (leaves 88-89).en
dc.descriptionIssued also on microfiche from Lange Micrographics.en
dc.description.abstractScience provides us with important information about how we experience color-it explains how objects reflect light at certain wavelengths, it describes how our perceptual faculties work regarding color vision, etc. But science doesn't provide us with a concept of color. It doesn't explain what it's like to experience color or how we come to know color. These conceptual issues arise in philosophical discussion. In order to have an adequate color theory, then, one needs to combine insight gained from color science with an explanation of the phenomenology of color (what it's like to experience the colors), an epistemology of color (how we come to know what things, if any, are colored), and the metaphysics of color (what, if anything, are the colors). The primary focus of this thesis is to examine some of the philosophical positions one can take concerning the nature and existence of the colors. One such position is physicalism, which states that color is some physical property of the object. Another color theory is dispositionalism, which states that color is the power an object is disposed to look like to certain perceivers in standard conditions. Both of these color theories are compatible with the intuition that our color experiences are veridical. Yet, there are others, illusion theorists, who claim that the external world is not colored. Some illusion theorists state that color can only exist within our experience and that we wrongly project these colors onto the world. Others claim that color is an illusion because there are too many scientific facts pointing to the conclusion that nothing specifically can be denoted as being a certain color. In this thesis, I will explore each of these positions and conclude that dispositionalism is the most adequate color theory.en
dc.format.mediumelectronicen
dc.format.mimetypeapplication/pdf
dc.language.isoen_US
dc.publisherTexas A&M University
dc.rightsThis thesis was part of a retrospective digitization project authorized by the Texas A&M University Libraries in 2008. Copyright remains vested with the author(s). It is the user's responsibility to secure permission from the copyright holder(s) for re-use of the work beyond the provision of Fair Use.en
dc.subjectphilosophy.en
dc.subjectMajor philosophy.en
dc.titleWhere have all the colors gone: a metaphysical analysis of coloren
dc.typeThesisen
thesis.degree.disciplinephilosophyen
thesis.degree.nameM.A.en
thesis.degree.levelMastersen
dc.type.genrethesisen
dc.type.materialtexten
dc.format.digitalOriginreformatted digitalen


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