dc.contributor.advisor | Stout, Janis P. | |
dc.creator | Kimbrough, Thomas Matthew | |
dc.date.accessioned | 2013-02-22T20:41:21Z | |
dc.date.available | 2013-02-22T20:41:21Z | |
dc.date.issued | 1998 | |
dc.identifier.uri | https://hdl.handle.net/1969.1/ETD-TAMU-1998-Fellows-Thesis-K568 | |
dc.description | Due to the character of the original source materials and the nature of batch digitization, quality control issues may be present in this document. Please report any quality issues you encounter to digital@library.tamu.edu, referencing the URI of the item. | en |
dc.description | Includes bibliographical references: leaves 55-57. | en |
dc.description | Program year: 1997/1998 | en |
dc.description.abstract | Stephen Tatum's Inventing Billy the Kid: Visions of the Outlaw in America, 1881-1981 (1982) surveys the huge bibliography of materials relating to Billy the Kid in four phases of American history and relates them to their historical contexts. My study, in essence, adds another chapter to Tatum's book. I find that nonfiction works about Billy the Kid since 1981 fall into three groups: (1) those that depict the Kid as a victim of a violent society and powerful political and economic forces (showing a Poor Billy); (2) those that depict the Kid as a violent criminal of the worst kind (showing a Rotten Billy); and (3) those that approach the Kid in a nontraditional way (showing a Different Billy). Among fiction works, I discuss Larry McMurtry's Anything for Billy (1988), N. Scott Mornaday’s The Ancient Child (1989), and Rebecca Ore's The Illegal Rebirth of Billy the Kid (1991). All three use the character of Billy the Kid to reflect ideas about the interaction of our society and its past. Overall, these reflect growing concerns about violence in our society and concerns about the way we view our history. They also show that the legend of Billy the Kid is still viable more than a century after his death. | en |
dc.format.extent | 61 pages | en |
dc.format.medium | electronic | en |
dc.format.mimetype | application/pdf | |
dc.language.iso | en_US | |
dc.rights | This thesis was part of a retrospective digitization project authorized by the Texas A&M University Libraries in 2008. Copyright remains vested with the author(s). It is the user's responsibility to secure permission from the copyright holder(s) for re-use of the work beyond the provision of Fair Use. | en |
dc.subject | Billy the Kid | en |
dc.subject | nonfiction works | en |
dc.subject | victimhood | en |
dc.subject | criminality | en |
dc.subject | fiction | en |
dc.subject | Larry McMurtry's Anything for Billy | en |
dc.subject | N. Scott Mornaday’s The Ancient Child | en |
dc.subject | Rebecca Ore's The Illegal Rebirth of Billy the Kid | en |
dc.title | Why Billy?: visions of America's outlaw kid, 1981-1998 | en |
dc.type | Thesis | en |
thesis.degree.department | English | en |
thesis.degree.grantor | University Undergraduate Research Fellow | en |
thesis.degree.name | Fellows Thesis | en |
thesis.degree.level | Undergraduate | en |
dc.type.material | text | en |
dc.format.digitalOrigin | reformatted digital | en |