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dc.creatorSeiler, Leslie Carl
dc.date.accessioned2012-06-07T22:50:25Z
dc.date.available2012-06-07T22:50:25Z
dc.date.created1997
dc.date.issued1997
dc.identifier.urihttps://hdl.handle.net/1969.1/ETD-TAMU-1997-THESIS-S45
dc.descriptionDue to the character of the original source materials and the nature of batch digitization, quality control issues may be present in this document. Please report any quality issues you encounter to digital@library.tamu.edu, referencing the URI of the item.en
dc.descriptionIncludes bibliographical references.en
dc.descriptionIssued also on microfiche from Lange Micrographics.en
dc.description.abstractPopular music is examined from two geographical perspectives, the image of place as represented in the titles of popular songs and the changing geography of the popular music industry. Examining the trend in place reference in popular song titles from 1970 to 1989, the most noteworthy finding is that the number of songs mentioning places in their titles dramatically drops. This trend toward a placeless popular music satisfies the needs of both the song producers, in the form of transnational corporations, and song consumers, for whom the role of place has become increasingly de-emphasized.en
dc.format.mediumelectronicen
dc.format.mimetypeapplication/pdf
dc.language.isoen_US
dc.publisherTexas A&M University
dc.rightsThis thesis was part of a retrospective digitization project authorized by the Texas A&M University Libraries in 2008. Copyright remains vested with the author(s). It is the user's responsibility to secure permission from the copyright holder(s) for re-use of the work beyond the provision of Fair Use.en
dc.subjectgeography.en
dc.subjectMajor geography.en
dc.titleThe image of place in American popular music, 1970-1990en
dc.typeThesisen
thesis.degree.disciplinegeographyen
thesis.degree.nameM.S.en
thesis.degree.levelMastersen
dc.type.genrethesisen
dc.type.materialtexten
dc.format.digitalOriginreformatted digitalen


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