Show simple item record

dc.creatorPeery, Brenda Langworthy
dc.date.accessioned2012-06-07T22:50:06Z
dc.date.available2012-06-07T22:50:06Z
dc.date.created1997
dc.date.issued1997
dc.identifier.urihttps://hdl.handle.net/1969.1/ETD-TAMU-1997-THESIS-P44
dc.descriptionDue to the character of the original source materials and the nature of batch digitization, quality control issues may be present in this document. Please report any quality issues you encounter to digital@library.tamu.edu, referencing the URI of the item.en
dc.descriptionIncludes bibliographical references.en
dc.descriptionIssued also on microfiche from Lange Micrographics.en
dc.description.abstractErasmus Darwin, a late eighteenth-century doctor, inventor, scientist, and scholar, translated Limaeus's botanical theories into English. From the 1750s forward, botany was both an educational and recreational activity for polite British society and 9 in 1789 9 Darwin contributed a more literary work to the growing botanical discourse: The Loves of the Plants. while many critics have evaluated this text almost solely in terms of the abundant sexual tone it shares with other works based on Linnaean botany, my investigation revolves around Darwins claim that his text is pedagogical--designed to "inlist Imagination under the banner of Science." I argue that within the framework of pedagogy, Darwin tries to reconcile the social conservatism Linnaeus encoded into botany with his own more liberal social vision. Two of Loves' most prominent characteristics, (1) the parallel presentation of information in poetic.couplets linked with scientific footnotes and (2) a discontinuous narrative structure,. allow Darwin to achieve his educational goal white also opening up Limaeus's system of analogy. Limaeus recognized the sexual nature of plant reproduction and based his taxonomic-Ac structure based on counting the male and female reproductive organs in each species' blossoms. Limaeus explained his theories by likening plant reproductive processes to human ones, always describing these sexual scenarios as "marriages" and relegating the females to subordinate and passive roles. Darwin's pedagogical maneuvers allow him to, remain faithful to the Linnaean system while also broadening women's roles in his own miniature narratives. For example, Darwin's female characters enthusiastically seek, accept, or refuse sexual relations. In Loves, Darwin's greater willingness to embrace a variety of female roles can be seen in his panoramic view of female capabilities and actions, especially as his narratives are compared against Linnaeus's. Another comparison that must be made is to Darwin's own relations with his daughters and the progressive curriculum he outlines in his later volume on female education. These records support the interpretation of Loves as Darwin's attempt to reconfigure Linnaeus's more conservative images of women into a less rigid model.en
dc.format.mediumelectronicen
dc.format.mimetypeapplication/pdf
dc.language.isoen_US
dc.publisherTexas A&M University
dc.rightsThis thesis was part of a retrospective digitization project authorized by the Texas A&M University Libraries in 2008. Copyright remains vested with the author(s). It is the user's responsibility to secure permission from the copyright holder(s) for re-use of the work beyond the provision of Fair Use.en
dc.subjectenglish.en
dc.subjectMajor english.en
dc.titleErasmus Darwin's pedagogical purpose in The Loves of the Plants: reconfiguring images of women in Linnaean botanyen
dc.typeThesisen
thesis.degree.disciplineenglishen
thesis.degree.nameM.A.en
thesis.degree.levelMastersen
dc.type.genrethesisen
dc.type.materialtexten
dc.format.digitalOriginreformatted digitalen


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record

This item and its contents are restricted. If this is your thesis or dissertation, you can make it open-access. This will allow all visitors to view the contents of the thesis.

Request Open Access