Show simple item record

dc.creatorKraus, Kari Michaele
dc.date.accessioned2012-06-07T22:41:13Z
dc.date.available2012-06-07T22:41:13Z
dc.date.created1995
dc.date.issued1995
dc.identifier.urihttp://hdl.handle.net/1969.1/ETD-TAMU-1995-THESIS-K73
dc.descriptionDue to the character of the original source materials and the nature of batch digitization, quality control issues may be present in this document. Please report any quality issues you encounter to digital@library.tamu.edu, referencing the URI of the item.en
dc.descriptionIncludes bibliographical references.en
dc.descriptionIssued also on microfiche from Lange Micrographics.en
dc.description.abstractThis study revaluates the early eighteenth-century poet and wit William Walsh (1662-1708) through a careful selection and analysis of contexts hitherto neglected in studies of the poet. Walsh's experiments with mediated discourse and the problems such discourse has posed for historical and textual criticism are the common threads that baste the otherwise independent chapters of this thesis together. Chapter I provides an overview of the project. Chapter II surveys and assesses Walsh's twentieth-century critical reception. Chapter III identifies don-finant patterns in editorial treatment of Walsh, patterns that help partially account for the poet's historical anonymity despite both his contemporary reputation and the relative accessibility of his work in eighteenthnineteenth-, and twentieth-century anthologies. Chapter IV addresses the theoretical problems posed by the man and his works. I argue the anomalous position, supported by the evidence, that Walsh's art and life are primarily narratively conjoined. To cope with this intimacy between Walsh's text and context, I recommend a scholarly edition of Walsh's work deviating sharply from established practice. Chapter V integrates one of Walsh's occasional poems, A Funeral Elegy upon the Death of the Queen, into the larger framework of the many published elegies on the death of the Queen Mary, who died late in 1694. 1 propose considering the elegies as a group to better understand the unique characteristics of late seventeenth-century patronage. Chapter VI closes the study.en
dc.format.mediumelectronicen
dc.format.mimetypeapplication/pdf
dc.language.isoen_US
dc.publisherTexas A&M University
dc.rightsThis thesis was part of a retrospective digitization project authorized by the Texas A&M University Libraries in 2008. Copyright remains vested with the author(s). It is the user's responsibility to secure permission from the copyright holder(s) for re-use of the work beyond the provision of Fair Use.en
dc.subjectEnglish.en
dc.subjectMajor English.en
dc.titleThe wit restor'd; or, the critic's rejoinder: a revaluation of William Walshen
dc.typeThesisen
thesis.degree.disciplineEnglishen
thesis.degree.nameM.A.en
thesis.degree.levelMastersen
dc.type.genrethesisen
dc.type.materialtexten
dc.format.digitalOriginreformatted digitalen


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record

This item and its contents are restricted. If this is your thesis or dissertation, you can make it open-access. This will allow all visitors to view the contents of the thesis.

Request Open Access