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Metaphor, motif, and the moment : form and human relationships in Laurence Stern's Tristram Shandy, James Joyce's Ulysses, and John Barth's Lost in the funhouse
dc.contributor.advisor | Burt, Forrest | |
dc.creator | Lampkin, Frances Loretta Murrell | |
dc.date.accessioned | 2020-08-21T21:56:55Z | |
dc.date.available | 2020-08-21T21:56:55Z | |
dc.date.issued | 1985 | |
dc.identifier.uri | https://hdl.handle.net/1969.1/DISSERTATIONS-596455 | |
dc.description | Typescript (photocopy). | en |
dc.description.abstract | Without defining another subgenre of the novel, this study calls the centripetal/centrifugal, open-ended forms of Laurence Sterne's Tristram Shandy, James Joyce's Ulysses, and John Barth's Lost in the Funhouse, encyclopaedic narrative, a form which blends Greco-Roman narrative for the eye with Judeo-Christian narrative for the ear. By drawing upon the symbols, images, and typologies found in the Bible's and Kabbalah's archetypal father-son motif, each artist blurs the narrative boundaries between irrational man's timeless quest to know self, other, and another; and rational man's timebound quest for knowledge. Spanning the abyss between voice and print, each writer-protagonist and his reader get doublecrossed with each other, with life's embeddedness, and with a protean, ambiguous sign system. The result is a tragi-comic, yet mysterious and serious, handing over of narrative traditions, father to son. The writer-reader team reverses life's irreversibles by traveling via neqativa, learning in the process that unselfish love triumphs over all things. Due to each artist's transformational, twoness-threeness rhythm, each re-reading generates from within itself, more possibilities for new narrative, a form equivalent to Hebraic Midrash. Yet, despite surface pyrotechnics, by letter and by number each work's profusion of metaphors in motifs spiraling out from a nexus of energy radiation adds to the mystery surrounding each form's warmly human and loving family relationships. Form and human relationships cooperate to produce a satisfying reading experience. | en |
dc.format.extent | 2 volumes (ix, 349 leaves) ; | en |
dc.format.medium | electronic | en |
dc.format.mimetype | application/pdf | |
dc.language.iso | eng | |
dc.rights | This thesis was part of a retrospective digitization project authorized by the Texas A&M University Libraries. Copyright remains vested with the author(s). It is the user's responsibility to secure permission from the copyright holder(s) for re-use of the work beyond the provision of Fair Use. | en |
dc.rights.uri | http://rightsstatements.org/vocab/InC/1.0/ | |
dc.subject | Major English | en |
dc.subject.classification | 1985 Dissertation L238 | |
dc.subject.lcsh | Sterne, Laurence, | en |
dc.subject.lcsh | Joyce, James, | en |
dc.subject.lcsh | Barth, John | en |
dc.title | Metaphor, motif, and the moment : form and human relationships in Laurence Stern's Tristram Shandy, James Joyce's Ulysses, and John Barth's Lost in the funhouse | en |
dc.type | Thesis | en |
thesis.degree.grantor | Texas A&M University | en |
thesis.degree.name | Doctor of Philosophy | en |
thesis.degree.name | Ph. D | en |
dc.contributor.committeeMember | Bailey, Guy | |
dc.contributor.committeeMember | Berthold, Dennis | |
dc.contributor.committeeMember | Crusius, Timothy | |
dc.contributor.committeeMember | Hill, Rodney | |
dc.type.genre | dissertations | en |
dc.type.material | text | en |
dc.format.digitalOrigin | reformatted digital | en |
dc.publisher.digital | Texas A&M University. Libraries | |
dc.identifier.oclc | 16474961 |
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