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dc.contributor.advisorAbott, John Paul
dc.creatorWright, Ray Gaylon
dc.date.accessioned2020-08-21T21:01:23Z
dc.date.available2020-08-21T21:01:23Z
dc.date.issued1972
dc.identifier.urihttps://hdl.handle.net/1969.1/DISSERTATIONS-187276
dc.description.abstractThose of Melville's critics who note his ambiguity usually react in one of two ways. Either they try to solve his ambiguity, or they decide that his "art" is hopelessly confused. My study maintains, however, that instead of attempting to explain away Melville's ambiguity, one should see that ambiguity is Melville's message to the reader. It is deliberate and it is an integral part of his overall purpose to portray a world of constantly shifting, ambiguous values. Melville's "art" is not confused. He demonstrates firm artistic control in his use of plot structure, symbols, and archetypal images. Ambiguity of meaning in combination with clarity of technique is Melville's "art of telling the truth."en
dc.format.extent151 leavesen
dc.format.mediumelectronicen
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.rightsThis thesis was part of a retrospective digitization project authorized by the Texas A&M University Libraries. Copyright remains vested with the author(s). It is the user's responsibility to secure permission from the copyright holder(s) for re-use of the work beyond the provision of Fair Use.en
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/
dc.subjectMajor Englishen
dc.subject.classification1972 Dissertation W952
dc.subject.lcshMelville, Herman,en
dc.titleHerman Melville: the art of telling the truthen
dc.typeThesisen
thesis.degree.disciplineEnglishen
thesis.degree.grantorTexas A&M Universityen
thesis.degree.nameDoctor of Philosophyen
thesis.degree.namePh. D. in Englishen
thesis.degree.levelDoctorialen
dc.contributor.committeeMemberBallinger, Richard H.
dc.type.genredissertationsen
dc.type.materialtexten
dc.format.digitalOriginreformatted digitalen
dc.publisher.digitalTexas A&M University. Libraries
dc.identifier.oclc5797694


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