dc.contributor.advisor | Canup, John | |
dc.creator | Bloom, Dara Leigh | |
dc.date.accessioned | 2022-04-01T15:05:09Z | |
dc.date.available | 2022-04-01T15:05:09Z | |
dc.date.issued | 1988 | |
dc.identifier.uri | https://hdl.handle.net/1969.1/CAPSTONE-BloomD_1988 | |
dc.description | Program year: 1987/1988 | en |
dc.description | Digitized from print original stored in HDR | en |
dc.description.abstract | America has historically been a land of progress and hope. Consequently, American society is future-oriented. Because of this, the myth of the apocalypse – especially visions of the end of the world – is fundamental to the American consciousness. Just as history tells society where it has been, so the apocalypse tells society where it is going. From seventeenth-century visions of a glorious consummation of history to today's doomsday mentality, America has cultivated a rich and varied apocalyptic tradition.
Throughout the history of American apocalyptic thought, images of the apocalypse have closely reflected societal trends. Gloom and doom prevail with the perceptions of a miasmatic society. But for the most part, versions of the American apocalypse have offered a glimmer of hope in the midst of tribulation. | en |
dc.format.extent | 48 pages | en |
dc.format.medium | electronic | en |
dc.format.mimetype | application/pdf | |
dc.subject | apocalypse | en |
dc.subject | American culture | en |
dc.subject | American history | en |
dc.subject | societal trends | en |
dc.title | Images Of The Apocalypse In American Thought | en |
dc.title.alternative | IMAGES OF THE APOCALYPSE IN AMERICAN THOUGHT | en |
dc.type | Thesis | en |
thesis.degree.department | History | en |
thesis.degree.grantor | University Undergraduate Fellow | en |
thesis.degree.level | Undergraduate | en |
dc.type.material | text | en |