Songs of the Dying Swan: Dido, Aeneas, and the Divine in 14th Through 16th Century Literary Adaptations

dc.creator	Randle, Ryan Ansley Malia
dc.date.accessioned	2021-09-03T16:46:15Z
dc.date.available	2021-09-03T16:46:15Z
dc.date.created	2020-05
dc.date.issued	2019-04-22
dc.date.submitted	May 2020
dc.identifier.uri	https://hdl.handle.net/1969.1/194533
dc.description.abstract	This research thesis examines how the depictions of the divine within the Classical Latin source texts and the English adaptations of the tragic love story of Aeneas and Dido, before and after the Protestant Reformation, frame the way we perceive the actions and character of the mortals it concerns with respect to gender, power, and ethnic lenses.	en
dc.format.mimetype	application/pdf
dc.subject	Aeneid	en
dc.subject	Dido	en
dc.subject	Aeneas	en
dc.subject	Juno	en
dc.subject	Venus	en
dc.subject	piatas	en
dc.subject	divinity	en
dc.subject	mortality	en
dc.subject	Douglas	en
dc.subject	Virgil	en
dc.subject	Caxton	en
dc.subject	Marlowe	en
dc.subject	Chaucer	en
dc.subject	Glasscock Summer Scholars	en
dc.title	Songs of the Dying Swan: Dido, Aeneas, and the Divine in 14th Through 16th Century Literary Adaptations	en
dc.type	Thesis	en
thesis.degree.department	English	en
thesis.degree.discipline	English	en
thesis.degree.grantor	Undergraduate Research Scholars Program	en
thesis.degree.name	BA	en
thesis.degree.level	Undergraduate	en
dc.contributor.committeeMember	Mize, Britt
dc.type.material	text	en
dc.date.updated	2021-09-03T16:46:16Z
local.etdauthor.orcid	0000-0002-5930-7483