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dc.contributor.advisorRobinson, Sally
dc.creatorTarpley, Bryan Paul
dc.date.accessioned2019-10-16T21:12:31Z
dc.date.available2021-05-01T12:35:03Z
dc.date.created2019-05
dc.date.issued2019-04-05
dc.date.submittedMay 2019
dc.identifier.urihttps://hdl.handle.net/1969.1/185083
dc.description.abstractThe project at hand takes as its object of study an affect-centered model of subjectivity that emphasizes the role authentication plays in determining the intensity of the subject’s feelings, and thus, I argue, the degree to which the subject becomes different. This model is derived from the fiction of Zadie Smith and David Foster Wallace, who belong to a generation of authors whose work has been frequently periodized as responding to or “coming after” an academic construction of postmodern culture most popularized in the West during the last decades of the 20th century. By elaborating on the nature and implications of this model of subjectivity, this project seeks to understand the shift in literary sensibilities that occurs at the turn of the millennium as, in part, an impulse to “make room” for affect, not only in the character function of fiction, but also in Western conceptions of human becoming.en
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.subjectcontemporary literatureen
dc.subjectaffect theoryen
dc.subjectpostmodernismen
dc.subjectsubjectivityen
dc.titleMaking Room for Affect: Zadie Smith, David Foster Wallace, and the Authenticating Humanen
dc.typeThesisen
thesis.degree.departmentEnglishen
thesis.degree.disciplineEnglishen
thesis.degree.grantorTexas A & M Universityen
thesis.degree.nameDoctor of Philosophyen
thesis.degree.levelDoctoralen
dc.contributor.committeeMemberCurry, Tommy
dc.contributor.committeeMemberJohansen, Emily
dc.contributor.committeeMemberTuhkanen, Mikko
dc.type.materialtexten
dc.date.updated2019-10-16T21:12:31Z
local.embargo.terms2021-05-01
local.etdauthor.orcid0000-0003-2929-6469


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