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dc.creatorLee, Joshua R
dc.date.accessioned2013-02-22T20:40:39Z
dc.date.available2013-02-22T20:40:39Z
dc.date.created2002
dc.date.issued2013-02-22
dc.identifier.urihttps://hdl.handle.net/1969.1/ETD-TAMU-2002-Fellows-Thesis-L453
dc.descriptionDue to the character of the original source materials and the nature of batch digitization, quality control issues may be present in this document. Please report any quality issues you encounter to digital@library.tamu.edu, referencing the URI of the item.en
dc.descriptionIncludes bibliographical references (leaves 65-66).en
dc.description.abstractHenry Fielding wrote frequently and harshly about lawyers. While many commentators have noted Fielding's criticism of lawyers and studied Fielding's concern with legal institutions generally, none have yet undertaken a systematic study of Fielding's lawyer characters. Fielding portrays law students as wholly affectations and self-indulgent, and they never study the law. His practicing lawyers demonstrate an obsessive concern with money, and their greed determines who they understand others. They consistently act out this inner corruption in amoral ways that illustrate their complete selfishness (for Fielding, the most serious of vices). Lawyer Murphy of Amelia is the quintessential example of the "Fielding lawyer," who lacks education, is consistently avaricious, and adheres to no moral or ethical standard - not even the law itself. Fielding's satire of lawyers must be seen as both a response to the dismal contemporary situation of the British legal profession (informed by his familial connections with the law and by his own work as a lawyer) as well as a piece of a long tradition of lawyer satire. Furthermore, his commentary on lawyers must be understood as a device that not only characterizes lawyers, but also supports Fielding's larger themes, most notably, the destructive power of selfishness.en
dc.format.mediumelectronicen
dc.format.mimetypeapplication/pdf
dc.language.isoen_US
dc.publisherTexas A&M University
dc.rightsThis thesis was part of a retrospective digitization project authorized by the Texas A&M University Libraries in 2008. Copyright remains vested with the author(s). It is the user's responsibility to secure permission from the copyright holder(s) for re-use of the work beyond the provision of Fair Use.en
dc.subjectart and literature 2.en
dc.subjectMajor art and literature 2.en
dc.title"Cold Venal Advocate": Henry Fielding's lawyersen
thesis.degree.departmentart and literature 2en
thesis.degree.disciplineart and literature 2en
thesis.degree.nameFellows Thesisen
thesis.degree.levelUndergraduateen
dc.type.genrethesisen
dc.type.materialtexten
dc.format.digitalOriginreformatted digitalen


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