Show simple item record

dc.contributor.advisorYarbrough, Stephen R.
dc.creatorStewart, Robert Paul
dc.date.accessioned2022-04-04T13:49:12Z
dc.date.available2022-04-04T13:49:12Z
dc.date.issued1986
dc.identifier.urihttps://hdl.handle.net/1969.1/CAPSTONE-YbarraI_1998
dc.descriptionProgram year: 1985/1986en
dc.descriptionDigitized from print original stored in HDRen
dc.description.abstractThe way John Barth's characters try to answer the question of their own identity is the thematic catalyst for the conflicts and crises in his fiction. Some characters come to happier and more purposeful conclusions because they come to who they are and what it means to have that identity; some characters do not come to happy or purposeful conclusions. The characters' answers to the identity question have specific hierarchical values depending upon the completeness of their answers and the characters' fates. These answers and fates differ according to the philosophy the characters embody.en
dc.format.extent38 pagesen
dc.format.mediumelectronicen
dc.format.mimetypeapplication/pdf
dc.subjectJohn Barthen
dc.subjectidentityen
dc.subjectphilosophyen
dc.subjecthumanismen
dc.subjectThe Floating Operaen
dc.subjectThe End of the Roaden
dc.subjectLETTERSen
dc.subjectGiles Goat-Boyen
dc.subjectSabbaticalen
dc.titleThe Humanist Principle: A Philosophical Criticism of Characterization in John Barth's Novelsen
dc.typeThesisen
thesis.degree.departmentEnglishen
thesis.degree.grantorUniversity Undergraduate Fellowen
thesis.degree.levelUndergraduateen
dc.type.materialtexten


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record