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dc.contributor.advisorClark, William Bedford
dc.creatorCorley, Allison
dc.date.accessioned2022-04-01T13:47:42Z
dc.date.available2022-04-01T13:47:42Z
dc.date.issued1993
dc.identifier.urihttps://hdl.handle.net/1969.1/CAPSTONE-CorleyA_1993
dc.descriptionProgram year: 1992/1993en
dc.descriptionDigitized from print original stored in HDRen
dc.description.abstractThis study, then, will examine each of these authors in his or her utilization of Augustinian or Thomistic grace as they attempt to reach an audience deaf to the conventional words of the Gospel. It will also examine the dominant motif for grace that each author chooses to use, in keeping with the theology of grace present in that piece. In the case of J.R.R. Tolkien's Lord of the Rings trilogy, the dominant symbol of grace is that of a gift. As mentioned previously, Walker Percy presents grace in the lives of his characters as a cure for their malaise of modernity in the novels The Moviegoer and The Thanatos Syndrome. The short stories of Flannery O'Connor's anthology A Good Man is Hard to Find consistently present grace as a sudden flash of truth to a character veiled in a world of dark illusions.en
dc.format.extent57 pagesen
dc.format.mediumelectronicen
dc.format.mimetypeapplication/pdf
dc.subjectJ.R.R. Tolkienen
dc.subjectFlannery O'Connoren
dc.subjectWalker Percyen
dc.subjectgraceen
dc.subjectAugustinianen
dc.subjectThomisticen
dc.titleThe Divine Invitation: An Examination Of The Philosophies Of Grace In The Writing Of J.R.R. Tolkien, Flannery O'Connor, And Walker Percyen
dc.title.alternativeThe Divine Invitation: An Examination of the Philosophies of Grace in the Writing of J.R.R. Tolkien, Flannery O'Connor, and Walker Percyen
dc.typeThesisen
thesis.degree.departmentEnglishen
thesis.degree.grantorUniversity Undergraduate Fellowen
thesis.degree.levelUndergraduateen
dc.type.materialtexten


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