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dc.contributor.advisorKattari, Kimberly
dc.creatorMuetzel, Joshua Allen
dc.date.accessioned2021-02-19T19:46:05Z
dc.date.available2021-02-19T19:46:05Z
dc.date.created2020-08
dc.date.issued2020-05-21
dc.date.submittedAugust 2020
dc.identifier.urihttps://hdl.handle.net/1969.1/192459
dc.description.abstractHow do a steel band’s practices, customs, and traditions create its unique social culture, and how are these practices rooted in the cultural history of the instrument? This text examines the history and evolution of the steel pan in Trinidad, and draws conclusions about how steel bands, both in Trinidad and elsewhere in the world, form communities through practices that are rooted in this history, such as liming and learning by rote. This project used one steel band, Texas A&M University's Maroon Steel, as a case study to compare against Trinidadian steel bands, observing both traditional and modern practices to determine the presence of any significant similarities and if so, the reasons for those similarities.en
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.subjectsteel panen
dc.subjectTrinidaden
dc.subjectcommunity formationen
dc.subjectcustoms and traditionsen
dc.subjectsteel drumsen
dc.subjectmusicen
dc.subjectCaribbean musicen
dc.subjectCaribbean cultureen
dc.titleI’m With the Band: Cultural Education and Community Formation Within Steel Bandsen
dc.typeThesisen
thesis.degree.departmentPerformance Studiesen
thesis.degree.disciplinePerformance Studiesen
thesis.degree.grantorTexas A&M Universityen
thesis.degree.nameMaster of Artsen
thesis.degree.levelMastersen
dc.contributor.committeeMemberDonkor, David
dc.contributor.committeeMemberDworkin, Ira
dc.type.materialtexten
dc.date.updated2021-02-19T19:46:06Z
local.etdauthor.orcid0000-0002-8499-1176


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