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dc.creatorSchultz, Nicole Nadine
dc.date.accessioned2017-10-10T20:32:36Z
dc.date.available2017-10-10T20:32:36Z
dc.date.created2017-05
dc.date.submittedMay 2017
dc.identifier.urihttp://hdl.handle.net/1969.1/164590
dc.description.abstractRocky Horror Picture Show is often examined for commentary upon fluidity and conditioning of gender, but when placed in the twenty-first century society, the meaning and message is distorted. Rather than a commentary on gender alone, I intend to examine and prove how the Rocky Horror Picture Show is a commentary upon 1970s society, man in relation to the various meanings of nature, boundaries, liminality, and in communion with literary themes, philosophical issues concerning sin, and human nature dating back to ancient society.
dc.format.mimetypeapplication/pdf
dc.subjectRocky
dc.subjectHorror: Picture
dc.subjectShow
dc.subjectBakhtin
dc.subjectFreud
dc.subjectNietzsche
dc.subjectBiblical
dc.subjectAllegory
dc.subjectbackground
dc.subjectcarnivalesque
dc.subjecticeberg
dc.subjectApollonian
dc.subjectDionysian
dc.subject1970
dc.subject1975
dc.subjectUnseen
dc.subjectInfluence
dc.subjectRocky Horror Picture Show
dc.titleMarginalized Philosophy: Rocky Horror Picture Show and the Unseen Influence
dc.typeThesis
thesis.degree.departmentEnglish
thesis.degree.disciplineEnglish
thesis.degree.grantorUndergraduate Research Scholars Program
thesis.degree.nameBA
thesis.degree.levelUndergraduate
dc.contributor.committeeMemberVasilakis, Apostolos
dc.type.materialtext
dc.date.updated2017-10-10T20:32:36Z


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