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dc.creatorSchultz, Nicole Nadine
dc.date.accessioned2017-10-10T20:32:36Z
dc.date.available2017-10-10T20:32:36Z
dc.date.created2017-05
dc.date.submittedMay 2017
dc.identifier.urihttps://hdl.handle.net/1969.1/164590
dc.description.abstractRocky Horror Picture Show is often examined for commentary upon fluidity and conditioning of gender, but when placed in the twenty-first century society, the meaning and message is distorted. Rather than a commentary on gender alone, I intend to examine and prove how the Rocky Horror Picture Show is a commentary upon 1970s society, man in relation to the various meanings of nature, boundaries, liminality, and in communion with literary themes, philosophical issues concerning sin, and human nature dating back to ancient society.en
dc.format.mimetypeapplication/pdf
dc.subjectRockyen
dc.subjectHorror: Pictureen
dc.subjectShowen
dc.subjectBakhtinen
dc.subjectFreuden
dc.subjectNietzscheen
dc.subjectBiblicalen
dc.subjectAllegoryen
dc.subjectbackgrounden
dc.subjectcarnivalesqueen
dc.subjecticebergen
dc.subjectApollonianen
dc.subjectDionysianen
dc.subject1970en
dc.subject1975en
dc.subjectUnseenen
dc.subjectInfluenceen
dc.subjectRocky Horror Picture Showen
dc.titleMarginalized Philosophy: Rocky Horror Picture Show and the Unseen Influenceen
dc.typeThesisen
thesis.degree.departmentEnglishen
thesis.degree.disciplineEnglishen
thesis.degree.grantorUndergraduate Research Scholars Programen
thesis.degree.nameBAen
thesis.degree.levelUndergraduateen
dc.contributor.committeeMemberVasilakis, Apostolos
dc.type.materialtexten
dc.date.updated2017-10-10T20:32:36Z


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