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dc.creatorRoss, Shawna
dc.date.accessioned2017-04-11T14:47:30Z
dc.date.available2017-04-11T14:47:30Z
dc.date.issued2015
dc.identifier.citationRoss, Shawna. "Hashtags, Algorithmic Compression, and Henry James’s Late Style." The Henry James Review 36 (2015): 24-44.en_US
dc.identifier.urihttp://hdl.handle.net/1969.1/160217
dc.description.abstractThis essay draws parallels between the intellectual labor of the Jamesian narrator and that of social media user, both of whom use similar techniques to arrange and interpret data streams (consciousness, expression, dialogue, action, text). I argue that James’s social politics of conversation is not only suited to making digital interlocutors critically aware of the digital messages surrounding them but also to alerting literature scholars to the narrative possibilities of social media. By reading Jamesian style as a formal analogue of digital utterances, we can help students understand their communicative practices—and help us understand them as well.en_US
dc.language.isoen_USen_US
dc.publisherThe Henry James Reviewen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectsocial mediaen_US
dc.subjectHenry Jamesen_US
dc.subjectTwitteren_US
dc.subjectcompressionen_US
dc.subjectsound studiesen_US
dc.subjectliterary styleen_US
dc.titleHashtags, Algorithmic Compression, and Henry James’s Late Styleen_US
dc.typeArticleen_US
local.departmentEngineering Technology and Industrial Distributionen_US


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